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AyrWritersClub

Performing Your Poem – Skill Builder – Ken O’Hara – 8 OCTOBER 2025

In the midst of the spooky season, nothing instantly fills me with terror more than the thought of performing in public. The skill building workshop, led by Ken O’Hara, seemed like an ideal way of facing my fears.

Ken led the session by giving hints and tips about using, and being comfortable with equipment when performing. He explained how to use the microphone to reach the audience while remembering to test sound levels to ensure the audience can all hear. Interestingly, there are different ways to hold a microphone – lock your arm in place to make sure the sound remains consistent. If using the stand, however, know how to operate it, and make sure you can comfortably adjust it.

If you are able, Ken told us, memorise your work before performing. Alternatively, you can take a written copy on either paper or any device. The position you are holding your poem might create a barrier with the audience, so beware. Attachments can be added to the mic stand to hold your device, which will then allow you to gesticulate freely. There are also scrolling apps such as Lyric Pad which can be used as autocues.

Ken also offered some advice for engaging with the audience. He emphasised the importance of making eye contact with all people in the room, and to watch their responses so you can adjust your performance according to their reactions. Being aware of your own body language and trying to keep a high level of energy, are important factors, when hoping to entertain. Speech patterns, tone, and volume all bring your poem to life. Humour, as Ken demonstrated, can be useful for engaging the audience and to deal with any unexpected difficulties – so have some one liners prepared. Ken demonstrated the importance of the pause to let your audience laugh and to let your poem breathe. Other tips included consider recording yourself beforehand, a useful tool to enhance your performance. To overcome nerves, Ken explained that an on-stage persona can be created so that the nervous performer can become that person whilst performing. Finally, remember – keep under the allotted time when finishing your performance – pause at the end and thank the audience.

In the second half, there was a masterclass in which five brave members performed their work and Ken provided individual feedback. It was an excellent session filled with useful advice for anyone worried about performing.

The evening was concluded by Damaris who read a poem for The Last Word.

Donna Allan

 

 

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